Careful Words

imagination (n.)

  Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now; your gambols, your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? Quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come.

William Shakespeare (1564-1616): Hamlet. Act v. Sc. 1.

The lunatic, the lover, and the poet

Are of imagination all compact:

One sees more devils than vast hell can hold,

That is, the madman: the lover, all as frantic,

Sees Helen's beauty in a brow of Egypt:

The poet's eye, in a fine frenzy rolling,

Doth glance from heaven to earth, from earth to heaven;

And as imagination bodies forth

The forms of things unknown, the poet's pen

Turns them to shapes, and gives to airy nothing

A local habitation and a name.

Such tricks hath strong imagination,

That if it would but apprehend some joy,

It comprehends some bringer of that joy;

Or in the night, imagining some fear,

How easy is a bush supposed a bear!

William Shakespeare (1564-1616): A Midsummer Night's Dream, Act v. Sc. 1.

But who can paint

Like Nature? Can imagination boast,

Amid its gay creation, hues like hers?

James Thomson (1700-1748): The Seasons. Spring. Line 465.

The lunatic, the lover, and the poet

Are of imagination all compact:

One sees more devils than vast hell can hold,

That is, the madman: the lover, all as frantic,

Sees Helen's beauty in a brow of Egypt:

The poet's eye, in a fine frenzy rolling,

Doth glance from heaven to earth, from earth to heaven;

And as imagination bodies forth

The forms of things unknown, the poet's pen

Turns them to shapes, and gives to airy nothing

A local habitation and a name.

Such tricks hath strong imagination,

That if it would but apprehend some joy,

It comprehends some bringer of that joy;

Or in the night, imagining some fear,

How easy is a bush supposed a bear!

William Shakespeare (1564-1616): A Midsummer Night's Dream, Act v. Sc. 1.

  Fiction lags after truth, invention is unfruitful, and imagination cold and barren.

Edmund Burke (1729-1797): Speech on the Conciliation of America. Vol. ii. p. 116.

The gloomy comparisons of a disturbed imagination, the melancholy madness of poetry without the inspiration.—Junius: Letter No. viii. To Sir W. Draper.

  The Right Honorable gentleman is indebted to his memory for his jests, and to his imagination for his facts.

Richard Brinsley Sheridan (1751-1816): Speech in Reply to Mr. Dundas. Sheridaniana.

The idea of her life shall sweetly creep

Into his study of imagination,

And every lovely organ of her life,

Shall come apparell'd in more precious habit,

More moving-delicate and full of life

Into the eye and prospect of his soul.

William Shakespeare (1564-1616): Much Ado about Nothing. Act iv. Sc. 1.

  His imagination resembled the wings of an ostrich. It enabled him to run, though not to soar.

Thomas B Macaulay (1800-1859): On John Dryden. 1828.

O, who can hold a fire in his hand

By thinking on the frosty Caucasus?

Or cloy the hungry edge of appetite

By bare imagination of a feast?

Or wallow naked in December snow

By thinking on fantastic summer's heat?

O, no! the apprehension of the good

Gives but the greater feeling to the worse.

William Shakespeare (1564-1616): King Richard II. Act i. Sc. 3.

But thou that didst appear so fair

To fond imagination,

Dost rival in the light of day

Her delicate creation.

William Wordsworth (1770-1850): Yarrow Visited.

  Solitude is as needful to the imagination as society is wholesome for the character.

James Russell Lowell (1819-1891): Among my Books. First Series. Dryden.

The lunatic, the lover, and the poet

Are of imagination all compact:

One sees more devils than vast hell can hold,

That is, the madman: the lover, all as frantic,

Sees Helen's beauty in a brow of Egypt:

The poet's eye, in a fine frenzy rolling,

Doth glance from heaven to earth, from earth to heaven;

And as imagination bodies forth

The forms of things unknown, the poet's pen

Turns them to shapes, and gives to airy nothing

A local habitation and a name.

Such tricks hath strong imagination,

That if it would but apprehend some joy,

It comprehends some bringer of that joy;

Or in the night, imagining some fear,

How easy is a bush supposed a bear!

William Shakespeare (1564-1616): A Midsummer Night's Dream, Act v. Sc. 1.

  Give me an ounce of civet, good apothecary, to sweeten my imagination.

William Shakespeare (1564-1616): King Lear. Act iv. Sc. 6.

  To what base uses we may return, Horatio! Why may not imagination trace the noble dust of Alexander, till we find it stopping a bung-hole?

William Shakespeare (1564-1616): Hamlet. Act v. Sc. 1.

  The use of travelling is to regulate imagination by reality, and instead of thinking how things may be, to see them as they are.

Samuel Johnson (1709-1784): Johnsoniana. Piozzi, 154.