Careful Words

lights (n.)

I feel like one

Who treads alone

Some banquet-hall deserted,

Whose lights are fled,

Whose garlands dead,

And all but he departed.

Thomas Moore (1779-1852): Oft in the Stilly Night.

Spangling the wave with lights as vain

As pleasures in the vale of pain,

That dazzle as they fade.

Sir Walter Scott (1771-1832): Lord of the Isles. Canto i. Stanza 23.

Small have continual plodders ever won

Save base authority from others' books.

These earthly godfathers of heaven's lights

That give a name to every fixed star

Have no more profit of their shining nights

Than those that walk and wot not what they are.

William Shakespeare (1564-1616): Love's Labour's Lost. Act i. Sc. 1.

Every room

Hath blazed with lights and bray'd with minstrelsy.

William Shakespeare (1564-1616): Timon of Athens. Act ii. Sc. 2.

  Let your loins be girded about, and your lights burning.

New Testament: Luke xii. 35.

Thy steady temper, Portius,

Can look on guilt, rebellion, fraud, and Caesar,

In the calm lights of mild philosophy.

Joseph Addison (1672-1719): Cato. Act i. Sc. 1.

Lights of the world, and stars of human race.

William Cowper (1731-1800): The Progress of Error. Line 97.

The growing drama has outgrown such toys

Of simulated stature, face, and speech:

It also peradventure may outgrow

The simulation of the painted scene,

Boards, actors, prompters, gaslight, and costume,

And take for a worthier stage the soul itself,

Its shifting fancies and celestial lights,

With all its grand orchestral silences

To keep the pauses of its rhythmic sounds.

Elizabeth Barrett Browning (1809-1861): Aurora Leigh. Book v.

Take, O, take those lips away,

That so sweetly were forsworn;

And those eyes, the break of day,

Lights that do mislead the morn:

But my kisses bring again, bring again;

Seals of love, but sealed in vain, sealed in vain.

William Shakespeare (1564-1616): Measure for Measure. Act iv. Sc. 1.

  We are firm believers in the maxim that for all right judgment of any man or thing it is useful, nay, essential, to see his good qualities before pronouncing on his bad.

Thomas Carlyle (1795-1881): Goethe. Edinburgh Review, 1828.

Her face is like the milky way i' the sky,—

A meeting of gentle lights without a name.

Sir John Suckling (1609-1641): Brennoralt. Act iii.