Careful Words

smile (n.)

smile (v.)

  Affliction may one day smile again; and till then, sit thee down, sorrow!

William Shakespeare (1564-1616): Love's Labour's Lost. Act i. Sc. 1.

O villain, villain, smiling, damned villain!

My tables,—meet it is I set it down,

That one may smile, and smile, and be a villain:

At least I'm sure it may be so in Denmark.

William Shakespeare (1564-1616): Hamlet. Act i. Sc. 5.

Why should we faint and fear to live alone,

Since all alone, so Heaven has willed, we die?

Nor even the tenderest heart, and next our own,

Knows half the reasons why we smile and sigh.

John Keble (1792-1866): The Christian Year. Twenty-fourth Sunday after Trinity.

Man!

Thou pendulum betwixt a smile and tear.

Lord Byron 1788-1824: Childe Harold's Pilgrimage. Canto iv. Stanza 109.

Seldom he smiles, and smiles in such a sort

As if he mock'd himself, and scorn'd his spirit

That could be moved to smile at anything.

William Shakespeare (1564-1616): Julius Caesar. Act i. Sc. 2.

Tho' lost to sight, to mem'ry dear

Thou ever wilt remain;

One only hope my heart can cheer,—

The hope to meet again.

Oh fondly on the past I dwell,

And oft recall those hours

When, wand'ring down the shady dell,

We gathered the wild-flowers.

Yes, life then seem'd one pure delight,

Tho' now each spot looks drear;

Yet tho' thy smile be lost to sight,

To mem'ry thou art dear.

Oft in the tranquil hour of night,

When stars illume the sky,

I gaze upon each orb of light,

And wish that thou wert by.

I think upon that happy time,

That time so fondly lov'd,

When last we heard the sweet bells chime,

As thro' the fields we rov'd.

Yes, life then seem'd one pure delight,

Tho' now each spot looks drear;

Yet tho' thy smile be lost to sight,

To mem'ry thou art dear.

George Linley (1798-1865): Song.

Of all tales 't is the saddest,—and more sad,

Because it makes us smile.

Lord Byron 1788-1824: Don Juan. Canto xiii. stanza 9.

Go, forget me! why should sorrow

O'er that brow a shadow fling?

Go, forget me, and to-morrow

Brightly smile and sweetly sing!

Smile,—though I shall not be near thee;

Sing,—though I shall never hear thee!

Charles Wolfe (1791-1823): Go, forget me!

On parent knees, a naked new-born child,

Weeping thou sat'st while all around thee smiled;

So live, that sinking in thy last long sleep,

Calm thou mayst smile, while all around thee weep.

Sir William Jones (1746-1794): From the Persian.

And the tear that is wiped with a little address,

May be follow'd perhaps by a smile.

William Cowper (1731-1800): The Rose.

Without the smile from partial beauty won,

Oh what were man?—a world without a sun.

Thomas Campbell (1777-1844): Pleasures of Hope. Part ii. Line 21.

Death

Grinn'd horrible a ghastly smile, to hear

His famine should be fill'd.

John Milton (1608-1674): Paradise Lost. Book ii. Line 845.

Nor grandeur hear with a disdainful smile

The short and simple annals of the poor.

Thomas Gray (1716-1771): Elegy in a Country Churchyard. Stanza 8.

Forever, and forever, farewell, Cassius!

If we do meet again, why, we shall smile;

If not, why then this parting was well made.

William Shakespeare (1564-1616): Julius Caesar. Act v. Sc. 1.

Reproof on her lips, but a smile in her eye.

Samuel Lover (1797-1868): Rory O'More.

To frown at pleasure, and to smile in pain.

Edward Young (1684-1765): Night Thoughts. Night viii. Line 1045.

Whose yesterdays look backwards with a smile.

Edward Young (1684-1765): Night thoughts. Night ii. Line 334.

Me let the tender office long engage

To rock the cradle of reposing age;

With lenient arts extend a mother's breath,

Make languor smile, and smooth the bed of death;

Explore the thought, explain the asking eye,

And keep awhile one parent from the sky.

Alexander Pope (1688-1744): Epistle to Dr. Arbuthnot. Prologue to the Satires. Line 408.

Such labour'd nothings, in so strange a style,

Amaze th' unlearn'd and make the learned smile.

Alexander Pope (1688-1744): Essay on Criticism. Part ii. Line 126.

And wine can of their wits the wise beguile,

Make the sage frolic, and the serious smile.

Alexander Pope (1688-1744): The Odyssey of Homer. Book xiv. Line 520.

So comes a reckoning when the banquet's o'er,—

The dreadful reckoning, and men smile no more.

John Gay (1688-1732): The What d' ye call it. Act ii. Sc. 9.

With a smile on her lips and a tear in her eye.

Sir Walter Scott (1771-1832): Marmion. Canto v. Stanza 12.

  In came Mrs. Fezziwig, one vast substantial smile.

Charles Dickens (1812-1870): Christmas Carol. Stave 2.

Of all tales 't is the saddest,—and more sad,

Because it makes us smile.

Lord Byron 1788-1824: Don Juan. Canto xiii. stanza 9.

Sardonic smile.

The social smile, the sympathetic tear.

Thomas Gray (1716-1771): Education and Government.

And the tear that is wiped with a little address,

May be follow'd perhaps by a smile.

William Cowper (1731-1800): The Rose.

With a smile that glow'd

Celestial rosy red, love's proper hue.

John Milton (1608-1674): Paradise Lost. Book viii. Line 618.

With the smile that was childlike and bland.

Grover Cleveland (1837-1908): Plain Language from Truthful James.

Go, forget me! why should sorrow

O'er that brow a shadow fling?

Go, forget me, and to-morrow

Brightly smile and sweetly sing!

Smile,—though I shall not be near thee;

Sing,—though I shall never hear thee!

Charles Wolfe (1791-1823): Go, forget me!

Even children follow'd with endearing wile,

And pluck'd his gown, to share the good man's smile.

Oliver Goldsmith (1728-1774): The Deserted Village. Line 183.

Here's a sigh to those who love me,

And a smile to those who hate;

And whatever sky's above me,

Here's a heart for every fate.

Lord Byron 1788-1824: To Thomas Moore.

Ne'er

Was flattery lost on poet's ear;

A simple race! they waste their toil

For the vain tribute of a smile.

Sir Walter Scott (1771-1832): Lay of the Last Minstrel. Canto iv. Stanza 35.

Farewell! a long farewell, to all my greatness!

This is the state of man: to-day he puts forth

The tender leaves of hopes; to-morrow blossoms,

And bears his blushing honours thick upon him;

The third day comes a frost, a killing frost,

And when he thinks, good easy man, full surely

His greatness is a-ripening, nips his root,

And then he falls, as I do. I have ventured,

Like little wanton boys that swim on bladders,

This many summers in a sea of glory,

But far beyond my depth: my high-blown pride

At length broke under me and now has left me,

Weary and old with service, to the mercy

Of a rude stream, that must forever hide me.

Vain pomp and glory of this world, I hate ye:

I feel my heart new opened. O, how wretched

Is that poor man that hangs on princes' favours!

There is betwixt that smile we would aspire to,

That sweet aspect of princes, and their ruin,

More pangs and fears than wars or women have:

And when he falls, he falls like Lucifer,

Never to hope again.

William Shakespeare (1564-1616): King Henry VIII. Act iii. Sc. 2.

Don't you remember sweet Alice, Ben Bolt?

Sweet Alice, whose hair was so brown;

Who wept with delight when you gave her a smile,

And trembl'd with fear at your frown!

Thomas Dunn English (1819-1902): Ben Bolt.

  Smile with an intent to do mischief, or cozen him whom he salutes.

Robert Burton (1576-1640): Anatomy of Melancholy. Democritus to the Reader.