Careful Words

chamber (n.)

chamber (v.)

Come to the bridal chamber, Death!

Come to the mother's, when she feels

For the first time her first-born's breath!

Come when the blessed seals

That close the pestilence are broke,

And crowded cities wail its stroke!

Come in consumption's ghastly form,

The earthquake shock, the ocean storm!

Come when the heart beats high and warm,

With banquet song, and dance, and wine!

And thou art terrible!—the tear,

The groan, the knell, the pall, the bier,

And all we know or dream or fear

Of agony are thine.

Alfred Bunn (1790-1860): Marco Bozzaris.

  Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now; your gambols, your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? Quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come.

William Shakespeare (1564-1616): Hamlet. Act v. Sc. 1.

Now is the winter of our discontent

Made glorious summer by this sun of York,

And all the clouds that loured upon our house

In the deep bosom of the ocean buried.

Now are our brows bound with victorious wreaths,

Our bruised arms hung up for monuments,

Our stern alarums changed to merry meetings,

Our dreadful marches to delightful measures.

Grim-visaged war hath smoothed his wrinkled front;

And now, instead of mounting barbed steeds

To fright the souls of fearful adversaries,

He capers nimbly in a lady's chamber

To the lascivious pleasing of a lute.

But I, that am not shaped for sportive tricks,

Nor made to court an amorous looking-glass;

I, that am rudely stamped, and want love's majesty

To strut before a wanton ambling nymph;

I, that am curtailed of this fair proportion,

Cheated of feature by dissembling nature,

Deformed, unfinished, sent before my time

Into this breathing world, scarce half made up,

And that so lamely and unfashionable

That dogs bark at me as I halt by them,—

Why, I, in this weak piping time of peace,

Have no delight to pass away the time,

Unless to spy my shadow in the sun.

William Shakespeare (1564-1616): King Richard III. Act i. Sc. 1.

So live, that when thy summons comes to join

The innumerable caravan which moves

To that mysterious realm where each shall take

His chamber in the silent halls of death,

Thou go not, like the quarry-slave at night,

Scourged to his dungeon, but sustained and soothed

By an unfaltering trust, approach thy grave

Like one that wraps the drapery of his couch

About him, and lies down to pleasant dreams.

William Cullen Bryant (1794-1878): Thanatopsis.

The chamber where the good man meets his fate

Is privileg'd beyond the common walk

Of virtuous life, quite in the verge of heaven.

Edward Young (1684-1765): Night thoughts. Night ii. Line 633.