Careful Words

fame (n.)

fame (v.)

Above all Greek, above all Roman fame.

Alexander Pope (1688-1744): Satires, Epistles, and Odes of Horace. Epistle i. Book ii. Line 26.

Do good by stealth, and blush to find it fame.

Alexander Pope (1688-1744): Satires, Epistles, and Odes of Horace. Epilogue to the Satires. Dialogue i. Line 136.

Who builds a church to God and not to fame,

Will never mark the marble with his name.

Alexander Pope (1688-1744): Moral Essays. Epistle iii. Line 285.

May see thee now, though late, redeem thy name,

And glorify what else is damn'd to fame.

Richard Savage (1698-1743): Character of Foster.

If parts allure thee, think how Bacon shin'd,

The wisest, brightest, meanest of mankind!

Or ravish'd with the whistling of a name,

See Cromwell, damn'd to everlasting fame!

Alexander Pope (1688-1744): Essay on Man. Epistle iv. Line 281.

Shall victor exult, or in death be laid low,

With his back to the field and his feet to the foe,

And leaving in battle no blot on his name,

Look proudly to heaven from the death-bed of fame.

Thomas Campbell (1777-1844): Lochiel's Warning.

Earth sounds my wisdom and high heaven my fame.

Alexander Pope (1688-1744): The Odyssey of Homer. Book ix. Line 20.

Go where glory waits thee!

But while fame elates thee,

Oh, still remember me!

Thomas Moore (1779-1852): Go where Glory waits thee.

Tranquillity! thou better name

Than all the family of Fame.

Samuel Taylor Coleridge (1772-1834): Ode to Tranquillity.

As yet a child, nor yet a fool to fame,

I lisp'd in numbers, for the numbers came.

Alexander Pope (1688-1744): Epistle to Dr. Arbuthnot. Prologue to the Satires. Line 127.

I would give all my fame for a pot of ale and safety.

William Shakespeare (1564-1616): King Henry V. Act iii. Sc. 2.

Slowly and sadly we laid him down,

From the field of his fame fresh and gory;

We carved not a line, and we raised not a stone,

But we left him alone with his glory.

Charles Wolfe (1791-1823): The Burial of Sir John Moore.

One to destroy is murder by the law,

And gibbets keep the lifted hand in awe;

To murder thousands takes a specious name,

War's glorious art, and gives immortal fame.

Edward Young (1684-1765): Love of Fame. Satire vii. Line 55.

Unblemish'd let me live, or die unknown;

O grant an honest fame, or grant me none!

Alexander Pope (1688-1744): The Temple of Fame. Last line.

What needs my Shakespeare for his honour'd bones,—

The labour of an age in piled stones?

Or that his hallow'd relics should be hid

Under a star-y-pointing pyramid?

Dear son of memory, great heir of fame,

What need'st thou such weak witness of thy name?

John Milton (1608-1674): Epitaph on Shakespeare.

Ah, who can tell how hard it is to climb

The steep where Fame's proud temple shines afar?

James Beattie (1735-1803): The Minstrel. Book i. Stanza 1.

  Fame sometimes hath created something of nothing.

Thomas Fuller (1608-1661): Holy and Profane State. Fame.

Nor Fame I slight, nor for her favours call;

She comes unlooked for if she comes at all.

Alexander Pope (1688-1744): The Temple of Fame. Line 513.

  All is ephemeral,—fame and the famous as well.

Marcus Aurelius Antoninus (121-180 a d): Meditations. iv. 35.

Fame is no plant that grows on mortal soil.

John Milton (1608-1674): Lycidas. Line 78.

Fame is the spur that the clear spirit doth raise

(That last infirmity of noble mind)

To scorn delights, and live laborious days;

But the fair guerdon when we hope to find,

And think to burst out into sudden blaze,

Comes the blind Fury with th' abhorred shears

And slits the thin-spun life.

John Milton (1608-1674): Lycidas. Line 70.

Folly loves the martyrdom of fame.

Lord Byron 1788-1824: Monody on the Death of Sheridan. Line 68.

Men the most infamous are fond of fame,

And those who fear not guilt yet start at shame.

Charles Churchill (1731-1764): The Author. Line 233.

As yet a child, nor yet a fool to fame,

I lisp'd in numbers, for the numbers came.

Alexander Pope (1688-1744): Epistle to Dr. Arbuthnot. Prologue to the Satires. Line 127.

Nothing can cover his high fame but heaven;

No pyramids set off his memories,

But the eternal substance of his greatness,—

To which I leave him.

Beaumont And Fletcher: The False One. Act ii. Sc. 1.

But whither am I strayed? I need not raise

Trophies to thee from other men's dispraise;

Nor is thy fame on lesser ruins built;

Nor needs thy juster title the foul guilt

Of Eastern kings, who, to secure their reign,

Must have their brothers, sons, and kindred slain.

Sir John Denham (1615-1668): On Mr. John Fletcher's Works.

The Pilgrim of Eternity, whose fame

Over his living head like heaven is bent,

An early but enduring monument,

Came, veiling all the lightnings of his song

In sorrow.

Percy Bysshe Shelley (1792-1822): Adonais. xxx.

Our fruitless labours mourn,

And only rich in barren fame return.

Alexander Pope (1688-1744): The Odyssey of Homer. Book x. Line 46.

And what is friendship but a name,

A charm that lulls to sleep,

A shade that follows wealth or fame,

And leaves the wretch to weep?

Oliver Goldsmith (1728-1774): The Hermit. Chap. viii. Stanza 19.

  As for life, it is a battle and a sojourning in a strange land; but the fame that comes after is oblivion.

Marcus Aurelius Antoninus (121-180 a d): Meditations. ii. 17.

The aspiring youth that fired the Ephesian dome

Outlives in fame the pious fool that rais'd it.

Colley Cibber (1671-1757): Richard III. (altered). Act iii. Sc. 1.

But sure the eye of time beholds no name

So blest as thine in all the rolls of fame.

Alexander Pope (1688-1744): The Odyssey of Homer. Book xi. Line 591.

Fame then was cheap, and the first comer sped;

And they have kept it since by being dead.

John Dryden (1631-1701): The Conquest of Granada. Epilogue.

Who to patch up his fame, or fill his purse,

Still pilfers wretched plans, and makes them worse;

Like gypsies, lest the stolen brat be known,

Defacing first, then claiming for his own.

Charles Churchill (1731-1764): The Apology. Line 232.

  Some might consider him as too fond of fame; for the desire of glory clings even to the best men longer than any other passion.

Tacitus (54-119 a d): Historiae. iv. 6.

  We can make majors and officers every year, but not scholars; kings can invest knights and barons, as Sigismund the emperor confessed.

Robert Burton (1576-1640): Anatomy of Melancholy. Part i. Sect. 2, Memb. 3, Subsect. 15.

The rest were vulgar deaths, unknown to fame.

Alexander Pope (1688-1744): The Iliad of Homer. Book xi. Line 394.

Here rests his head upon the lap of earth,

A youth to fortune and to fame unknown:

Fair Science frown'd not on his humble birth,

And Melancholy mark'd him for her own.

Thomas Gray (1716-1771): The Epitaph.

What is the end of fame? 'T is but to fill

A certain portion of uncertain paper.

Lord Byron 1788-1824: Don Juan. Canto i. Stanza 218.

What rage for fame attends both great and small!

Better be damned than mentioned not at all.

John Wolcot (1738-1819): To the Royal Academicians.