Careful Words

music (n.)

music (v.)

Sing again, with your dear voice revealing

A tone

Of some world far from ours,

Where music and moonlight and feeling

Are one.

Percy Bysshe Shelley (1792-1822): To Jane. The keen Stars were twinkling.

  Architecture is frozen music.

The setting sun, and music at the close,

As the last taste of sweets, is sweetest last,

Writ in remembrance more than things long past.

William Shakespeare (1564-1616): King Richard II. Act ii. Sc. 1.

When his veering gait

And every motion of his starry train

Seem governed by a strain

Of music, audible to him alone.

William Wordsworth (1770-1850): The Triad.

If music be the food of love, play on;

Give me excess of it, that, surfeiting,

The appetite may sicken, and so die.

That strain again! it had a dying fall:

O, it came o'er my ear like the sweet sound

That breathes upon a bank of violets,

Stealing and giving odour!

William Shakespeare (1564-1616): Twelfth Night. Act i. Sc. 1.

The light of love, the purity of grace,

The mind, the music breathing from her face,

The heart whose softness harmonized the whole,—

And oh, that eye was in itself a soul!

Lord Byron 1788-1824: The Bride of Abydos. Canto i. Stanza 6.

When she had passed, it seemed like the ceasing of exquisite music.

Henry W Longfellow (1807-1882): Evangeline. Part i. 1.

Makes a swan-like end,

Fading in music.

William Shakespeare (1564-1616): The Merchant of Venice. Act iii. Sc. 2.

It will discourse most eloquent music.

William Shakespeare (1564-1616): Hamlet. Act iii. Sc. 2.

Where music dwells

Lingering and wandering on as loth to die,

Like thoughts whose very sweetness yieldeth proof

That they were born for immortality.

William Wordsworth (1770-1850): Ecclesiastical Sonnets. Part iii. xliii. Inside of King's Chapel, Cambridge.

Makes a swan-like end,

Fading in music.

William Shakespeare (1564-1616): The Merchant of Venice. Act iii. Sc. 2.

When his veering gait

And every motion of his starry train

Seem governed by a strain

Of music, audible to him alone.

William Wordsworth (1770-1850): The Triad.

Music hath charms to soothe the savage breast,

To soften rocks, or bend a knotted oak.

William Congreve (1670-1729): The Mourning Bride. Act i. Sc. 1.

When Music, heavenly maid, was young,

While yet in early Greece she sung.

William Collins (1720-1756): The Passions. Line 1.

His very foot has music in 't

As he comes up the stairs.

W J Mickle (1734-1788): The Mariner's Wife.

There is a pleasure in the pathless woods;

There is a rapture on the lonely shore;

There is society, where none intrudes,

By the deep sea, and music in its roar:

I love not man the less, but Nature more.

Lord Byron 1788-1824: Childe Harold's Pilgrimage. Canto iv. Stanza 178.

The music in my heart I bore

Long after it was heard no more.

William Wordsworth (1770-1850): The Solitary Reaper.

  There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres.

Sir Thomas Browne (1605-1682): Religio Medici. Part ii. Sect. ix.

Except I be by Sylvia in the night,

There is no music in the nightingale.

William Shakespeare (1564-1616): The Two Gentlemen of Verona. Act iii. Sc. 1.

A few can touch the magic string,

And noisy Fame is proud to win them;

Alas for those that never sing,

But die with all their music in them!

Oliver Wendell Holmes (1809-1894): The Voiceless.

Bright gem instinct with music, vocal spark.

William Wordsworth (1770-1850): A Morning Exercise.

How silver-sweet sound lovers' tongues by night,

Like softest music to attending ears!

William Shakespeare (1564-1616): Romeo and Juliet. Act ii. Sc. 2.

  And because the breath of flowers is far sweeter in the air (where it comes and goes, like the warbling of music) than in the hand, therefore nothing is more fit for that delight than to know what be the flowers and plants that do best perfume the air.

William Shakespeare (1564-1616): Of Gardens.

The man that hath no music in himself,

Nor is not moved with concord of sweet sounds,

Is fit for treasons, stratagems, and spoils;

The motions of his spirit are dull as night,

And his affections dark as Erebus.

Let no such man be trusted.

William Shakespeare (1564-1616): The Merchant of Venice. Act v. Sc. 1.

It is the little rift within the lute

That by and by will make the music mute,

And ever widening slowly silence all.

Alfred Tennyson (1809-1892): Idylls of the King. Merlin and Vivien.

I am never merry when I hear sweet music.

William Shakespeare (1564-1616): The Merchant of Venice. Act v. Sc. 1.

And the night shall be filled with music,

And the cares that infest the day

Shall fold their tents like the Arabs,

And as silently steal away.

Henry W Longfellow (1807-1882): The Day is done.

Some to church repair,

Not for the doctrine, but the music there.

These equal syllables alone require,

Though oft the ear the open vowels tire;

While expletives their feeble aid to join,

And ten low words oft creep in one dull line.

Alexander Pope (1688-1744): Essay on Criticism. Part ii. Line 142.

Oh, could you view the melody

Of every grace

And music of her face,

You 'd drop a tear;

Seeing more harmony

In her bright eye

Than now you hear.

Richard Lovelace (1618-1658): Orpheus to Beasts.

But hearing oftentimes

The still, sad music of humanity.

William Wordsworth (1770-1850): Lines composed a few miles above Tintern Abbey.

Be that blind bard who on the Chian strand,

By those deep sounds possessed with inward light,

Beheld the Iliad and the Odyssey

Rise to the swelling of the voiceful sea.

Samuel Taylor Coleridge (1772-1834): Fancy in Nubibus.

  There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres.

Sir Thomas Browne (1605-1682): Religio Medici. Part ii. Sect. ix.

  We join ourselves to no party that does not carry the flag and keep step to the music of the Union.

Rufus Choate (1799-1859): Letter to the Whig Convention, 1855.

Some to the fascination of a name

Surrender judgment hoodwink'd.

William Cowper (1731-1800): The Task. Book vi. Winter Walk at Noon. Line 101.

Love took up the harp of Life, and smote on all the chords with might;

Smote the chord of Self, that, trembling, pass'd in music out of sight.

Alfred Tennyson (1809-1892): Locksley Hall. Line 33.

The soul of music slumbers in the shell

Till waked and kindled by the master's spell;

And feeling hearts, touch them but rightly, pour

A thousand melodies unheard before!

Samuel Rogers (1763-1855): Human Life.

Some to church repair,

Not for the doctrine, but the music there.

These equal syllables alone require,

Though oft the ear the open vowels tire;

While expletives their feeble aid to join,

And ten low words oft creep in one dull line.

Alexander Pope (1688-1744): Essay on Criticism. Part ii. Line 142.

The harp that once through Tara's halls

The soul of music shed,

Now hangs as mute on Tara's walls

As if that soul were fled.

So sleeps the pride of former days,

So glory's thrill is o'er;

And hearts that once beat high for praise

Now feel that pulse no more.

Thomas Moore (1779-1852): The Harp that once through Tara's Halls.

How sweet the moonlight sleeps upon this bank!

Here we will sit and let the sounds of music

Creep in our ears: soft stillness and the night

Become the touches of sweet harmony.

Sit, Jessica. Look how the floor of heaven

Is thick inlaid with patines of bright gold:

There's not the smallest orb which thou behold'st

But in his motion like an angel sings,

Still quiring to the young-eyed cherubins.

Such harmony is in immortal souls;

But whilst this muddy vesture of decay

Doth grossly close it in, we cannot hear it.

William Shakespeare (1564-1616): The Merchant of Venice. Act v. Sc. 1.

O Music! sphere-descended maid,

Friend of Pleasure, Wisdom's aid!

William Collins (1720-1756): The Passions. Line 95.

Such sweet compulsion doth in music lie.

John Milton (1608-1674): Arcades. Line 68.

He murmurs near the running brooks

A music sweeter than their own.

William Wordsworth (1770-1850): A Poet's Epitaph. Stanza 10.

Those evening bells! those evening bells!

How many a tale their music tells

Of youth and home, and that sweet time

When last I heard their soothing chime!

Thomas Moore (1779-1852): Those Evening Bells.

Soft is the music that would charm forever;

The flower of sweetest smell is shy and lowly.

William Wordsworth (1770-1850): Not Love, not War.

The rude sea grew civil at her song,

And certain stars shot madly from their spheres

To hear the sea-maid's music.

William Shakespeare (1564-1616): A Midsummer Night's Dream. Act ii. Sc. 1.

Sundays observe; think when the bells do chime,

'T is angels' music.

George Herbert (1593-1632): The Church Porch.

How silver-sweet sound lovers' tongues by night,

Like softest music to attending ears!

William Shakespeare (1564-1616): Romeo and Juliet. Act ii. Sc. 2.

And waste their music on the savage race.

Edward Young (1684-1765): Love of Fame. Satire v. Line 228.

What fairy-like music steals over the sea,

Entrancing our senses with charmed melody?

Mrs. C. B. Wilson (—— -1846): What Fairy-like Music.

Music, when soft voices die,

Vibrates in the memory;

Odours, when sweet violets sicken,

Live within the sense they quicken.

Percy Bysshe Shelley (1792-1822): Music, when soft Voices die.

  There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres.

Sir Thomas Browne (1605-1682): Religio Medici. Part ii. Sect. ix.

Where gripinge grefes the hart wounde,

And dolefulle dumps the mynde oppresse,

There music with her silver sound

With spede is wont to send redresse.

Thomas Percy (1728-1811): A Song to the Lute in Musicke.

There was a sound of revelry by night,

And Belgium's capital had gather'd then

Her beauty and her chivalry, and bright

The lamps shone o'er fair women and brave men.

A thousand hearts beat happily; and when

Music arose with its voluptuous swell,

Soft eyes look'd love to eyes which spake again,

And all went merry as a marriage bell.

Lord Byron 1788-1824: Childe Harold's Pilgrimage. Canto iii. Stanza 21.

As children gath'ring pebbles on the shore.

Or if I would delight my private hours

With music or with poem, where so soon

As in our native language can I find

That solace?

John Milton (1608-1674): Paradise Regained. Book iv. Line 330.

He makes sweet music with th' enamell'd stones,

Giving a gentle kiss to every sedge

He overtaketh in his pilgrimage.

William Shakespeare (1564-1616): The Two Gentlemen of Verona. Act ii. Sc. 7.